Can You Clean A Wound With A Bzk Towelette
Romeo and JulietPlease see the lesser of the folio for explanatory notes.Please click here for even more notes and paraphrases.
Next: Romeo and Juliet, Human activity ii, Scene 3 __________ Explanatory Notes for Act 2, Scene ii __________ Prologue 1. He jests ... wound, Mercutio, who never felt the wound of love, may well jest at the scars which Cupid'south arrows have left in my heart. That this is not a general, but a particular, remark is, I think, proved by the answering rhyme, as Staunton has noticed. And as neither the folios nor the quartos make any division of scene, such sectionalisation, originally due to Rowe, seems conspicuously wrong. 2. soft! he bids himself 'hush,' cautions himself to talk in a lower voice. 4. envious, jealous. seven. Exist not her maid, no longer serve her, no longer go along a vow to live unmarried; equally Diana'south votaries pledged themselves to exercise. 8. Her vestal ... green, the life of guiltlessness to which she binds her priestess is ane of sickly, jaundiced, hue. In sick and light-green at that place is probably, every bit Delius suggests, an allusion to the "dark-green-sickness" of which Shakespeare oftentimes speaks, and which in iii. five. 157, beneath, Capulet applies every bit an epithet to Juliet in his acrimony at her refusal of Paris, "Out, you green-sickness feces! out, y'all baggage! Y'all tallow-face," — an disquiet of languishing girls characterized past a pale complexion. The reading of the showtime quarto is pale for sick, and this is preferred by many editors. Collier would change sick into white, seeing in the line an innuendo to the white and light-green livery formerly worn past the Court fools; but it seems unlikely that Shakespeare would apply the word fools in this literal sense when referring to Juliet, while, as Grant White points out, if such an allusion were intended, it would be obtained from the reading of the beginning quarto, pale, without the violent modify to white; vestal livery. Vesta was the Roman goddess of the hearth, respective with the Greek Hestia, and her priestesses were vowed to a life of chastity and celibacy; cp. Per. three. 4. 10, "A vestal livery will I take me to, And never more than have joy." 12. what of that? but that matters little. 13. discourses, is eloquent in its mere expect. 16. some business, some private affairs of their own which would be hindered by their having to perform their nightly duty of lighting upwardly the sky. 17. in their spheres. According to the Ptolemaic system of astronomy, circular almost the world, which was the center of the system, were nine hollow spheres, consisting of the seven planets, the fixed stars or firmament, and the Primum Mobile; the spheres with the stars and planets in them being whirled round the earth in 20-iv hours past the driving ability, the Primum Mobile. 21. the blusterous region, the upper air; region, was originally a division of the heaven marked out past the Roman augurs. In afterward times the atmosphere was divided into 3 regions, upper, center, and lower. Cp. also Haml. ii. 2. 509. 24, five. O, that ... cheek, cp. Tennyson, The Miller's Daughter, 169-186. 28. winged messenger, angel. 29. white-upturned, turned upward in adoration and so that the pupils are scarcely seen. thirty. autumn dorsum, stand back in awe, and also in order to get a clearer view. 31. lazy-pacing, slowly drifting. Grant White compares Macb. i. seven. 21-5; lazy-pacing is Pope'due south conjecture for lasie pacing, of the start quarto; the remaining quartos and the folios give lazie, or lazy, puffing. 34. refuse, disown, disclaim; cp. T. C. four. 5. 267, "We have had pelting wars, since you refused The Grecians' cause." 37. speak at this, answer her without allowing her to go further, interrupt her at this bespeak. 39. Chiliad fine art ... Montague. Staunton explains "That is, as she subsequently expresses it, yous would still retain all the perfections which ardorn you, were non called Montague"; and and so substantially Grant White, though Dyce calls such an explanation "unintelligible." Others follow Malone in putting the comma after though, as used in the sense of all the same, with the explanation that Juliet is merely endeavouring to account for Romeo's being amiable and excellent though he is a Montague, to prove which she asserts that he merely bears the proper name, but has none of the qualities of that business firm. Various emendations accept too been proposed, but Staunton's explanation seems to me quite satisfactory. 42. exist some other proper noun, be somebody else in name than Montague. Lettsom objects that Shakespeare could not have written "be some other proper name"; but after the expression "What's Montague?", where "Montague" is used equally though information technology were a thing, there seems no reason why we should non accept "exist some other proper noun." 46. owes, owns; as frequently in Elizabethan literature, the final n of the G. E. owen, to pcssess, being dropped. The mod sense of the word 'to exist in debt,' 'to be obliged,' comes from the sense of possessing another's property, only the word has no etymological connection with to 'ain' = to possess; it being from the A.S. agan, to accept, while the latter is from the A.S. agnian, to appropriate, claim equally one's own, from agn, contracted form of agen, one's own (Skeat, Ety. Dict.). 47. doff, put off; exercise off, every bit don, do on; dup, do up; dout, do out. 48. for thy proper noun, in exchange for your proper name. 53. Then stumblest on my counsel, come up so unexpectedly upon my secret thouglits; cp. Thousand. Due north. D. i. 1. 216, "Emptying our bosoms of their counsel sweet," i.e. confiding to each other our inmost thoughts. 53, iv. By a proper noun... am, if I could let you know who I am without using a proper noun, I would gladly practise so, for it is impossible for me to name myself without lamentable you lot. 55. saint. Delius points out that this discussion recalls their offset meeting when, every bit a pilgrim, Romeo had thus greeted Juliet. 58. boozer, unconsciously acknowledging the ardor with which she had listened to his words. 61. if either thee dislike, if either exist unpleasant to your ears; dislike is really impersonal, equally in Oth. ii. 3. 49, "I'll do't; simply information technology mislike's me." 64. And the place expiry, and to venture here is to risk your life. 66. o'er-perch these walls, fly over these walls and settle here, as a bird settles upon a co-operative later on a flight from another spot; a perch is literally a rod, bar, and so a bender or twig on which a bird settles. 67. stony limits, limits formed of stone, i.east. walls; stony, more usually used as = of the nature of. 69. are no let to me, are no hindrance to me, cannot bar my way and keep me out. 71. Alack, according to Skeat, either a abuse of 'ah! lord,' or, which seems more than probable, from ah! and M. E. lak, loss, failure. 73. proof against, able to endure, hold out against; see notation on i. 1. 216. 76. but thou love me ... here, except, unless, you love me, I am quite willing that they should discover me here and kill me; without your love, life to me is not worth living. 78. Than death ... love, than that my expiry should be delayed if I am to be without your dearest; prorogued, the Lat. prorogare was to propose a farther extension of office, lience to defer, though literally significant only to ask publicly, from pro-, publicly, and rogare, to enquire. 81. counsel, communication. 83. vast shore. "Lat. vastus, empty, waste" (Walker). 84. I would hazard for, I would make my voyage in quest of, however peachy the danger. 88. Fain ... grade, gladly would I, if it were possible, stand up on ceremony with you, treat you with distant formality; Fain, properly an adjective. 89. merely goodbye compliment, "only away with formality and punctilio" (Staunton); I at present cast such things to the winds. 93. laughs, good-humouredly disdains to punish them. Douce compares Marlowe's translation of Ovid's Fine art of Love, i. 633, "For Jove himself sits in the azure skies, And laughs below at lover's perjuries," from which he thinks that Shakespeare borrowed. 94. pronounce it faithfully, assure me of your love without adding an oath to ostend your words. 97. So, provided that. 98. fond, foolishly loving; fond, originally fonned, the past participle of the verb fonnen, to act heedlessly, from the noun fon, a fool. 99. light, full of levity, wanton. 101. more cunning ... strange, more skill in affecting coyness. 104. passion, passionate confession; the word was formerly used of any strong emotion. 106. Which the dark ... discovered, which (love) has been revealed to you by the darkness of the night whose part should exist to conceal; which you have discovered thank you to the darkness of the night. 110. circled, revolving; not, I think, 'round,' as Schmidt explains. 111. likewise, equally. 113. gracious, bonny, finding favour in my eyes; cp. T. A. i. one. 429, "if ever Tamora Were gracious in those princely eyes of thine." This is the reading of the kickoff quarto, the other old copies giving glorious, which Grant White thinks more suitable to the context. 114.of my idolatry, that I worship. 117. I have ... to-night, I feel no joy in at present ratifying with oaths a contract between united states. Like Romeo, i. 4. 106-11, she has a presentiment of some evil befalling their plighted dearest. 118. unadvised, imprudent, formed without sufficient consideration. 121, ii. This bud of love ... see, this new dearest of ours, cherished in our hearts, may aggrandize into full growth past the time we next see, every bit beneath the summer'southward warmth the bud expands into a beauteous blossom. equally that ... chest, "as to that middle within my breast" (Delius). 126. satisfaction, Delius points out the double sense here of payment and comfort. 129. And all the same ... again, and yet I wish I had not given information technology, in social club that I might now again have the joy of giving it. 131. frank, liberal, gratuitous of hand; cp. Lear, iii. 4. xx, "Your former kind father, whose frank heart gave all." 132. the thing I have. sc. her ain infinite dearest. 143. If that ... honourable, if your dear is honourable in its intentions; for that, as a conjunctional affix, see Abb. § 287. 145. procure to come up, arrange to have sent. 146. the rite, sc. of spousal relationship. 152. Past and past, in a minute, directly. 153. suit. Malone quotes from Brooke'south poem, Romeus and Juliet, "and now your Juliet you beseekes To terminate your sute, and suffer her to alive emong her likes." 154. So thrive my soul — may my soul prosper (according every bit I mean well to y'all), the terminal words existence cleaved off by Juliet'due south bye. 156. A thousand ... calorie-free, in respond to Juliet's wish of good-dark he says, nay, non skillful night but bad night, night made a thousand times the worse by the absence of you who are its merely light. 158. toward ... looks, sc. equally schoolboys go toward, etc. 159. Hist! Heed! 159, 60. O, for ... again! would that I had a vocalism that would bring back my gentle Romeo as surely equally the falconer's voice brings ack the tassel-gentle! "The tassel or tiercel (for so it should be spelled) is the male of the gosshawk; so called considering it is a tierce or 3rd less than the female...This species of hawk had the epithet gentle annexed to it, from the ease with which information technology was tamed, and its attachment to man" (Steevens). "It appears," adds Malone, "that certain hawks were considered as appropriated to sure ranks. The tercel-gentle was appropriated to the prince, and thence was chosen by Juliet as an appellation for her beloved Romeo." 161. Bondage ... aloud, one fettered, constrained by fear of beingness overheard, like me, is as much unable to call aloud as one whose voice is stopped by hoarseness of the pharynx. 162. Else ... lies, otherwise past my loud cries I would rend the cave in which Echo dwells; Repeat, an Oread who by Juno was changed into a beingness neither able to speak until somebody had spoken, nor to exist silent when anybody had spoken. 163. And make ... mine, and, by compelling her to repeat my cries, brand her hoarser than myself even. Dyce compares Comus, 208, "And airy tongues that syllable men'southward names On sands and shores and desert wildernesses." 166. silver-sweetness, in allusion to the sweet tone of bells made of argent. 167. attending, circumspect. 173. to have ... there, in lodge to keep you lot continuing at that place. 175. to have ... forget, so that you may proceed to forget. 176. Forgetting ... this, forgetting that I take whatsoever home but this, forgetting that this is non actually my home. 178. a wanton's bird, the pet bird of a mischievous girl, a girl that loves to tease her pets. 180. gyves, chains, fetters. 182. So loving-jealous ... freedom, and then fond of it and yet so jealous of its getting its liberty. 186. shall say adept nighttime, shall continue maxim 'good night.' 188. then sweet to rest, having so sweet a resting place. 189. ghostly male parent, spiritual male parent; father, a title given to catholic priests. 190. my beloved hap, the practiced fortune that has befallen me; hap, fortune, chance, accident, from which we get to 'happen' and 'happy.' How to cite the explanatory notes: ______ Even more... | Notes on Romeo and Juliet Juliet appears above at a window (stage direction). Shakespeare did not include this stage direction and information technology is not in Q1 or the Starting time Folio. It was added in the 17th century and has remained always since, although some editors cull to place the direction right after Romeo'south line "He jests at scars that never felt a wound" (1), while others insert it correct before Romeo says "It is my lady, O it is my love" (10). More to Explore Romeo and Juliet: Consummate Play with Explanatory Notes Themes and Motifs in Romeo and Juliet Stage History of Romeo and Juliet Romeo and Juliet: Test Questions and Answers sick and dark-green ] The phrase sick and green refers to the anaemic condition known every bit chlorosis, or light-green sickness. The goddess Diana (the moon personified) is sickly pale and envious of Juliet'southward beauty (six). Juliet, too, as a follower of Diana (i.due east,. a virgin) is looking quite sickly stake herself. As Helen King argues in her book The disease of virgins: dark-green sickness, chlorosis and the problems of puberty, "...for an early on mod reader, the affliction label 'green sickness' - like 'the illness of virgins' - could contain within itself the cure: sexual experience" (35). Read on... Notes on Shakespeare... Richard Shakespeare, Shakespeare's paternal gramps, was a farmer in the small village of Snitterfield, located four miles from Stratford. Records show that Richard worked on several unlike farms which he leased from various landowners. Coincidentally, Richard leased country from Robert Arden, Shakespeare'southward maternal grandfather. Read on... ____ Shakespeare acquired substantial wealth thanks to his acting and writing abilities, and his shares in London theatres. The going charge per unit was £ten per play at the turn of the sixteenth century. So how much money did Shakespeare make? Read on... Henry Bolingbroke, the eldest son of John of Gaunt and the grandson of King Edward III, was built-in on April 3, 1367. Henry usurped the throne from the ineffectual King Richard Ii in 1399, and thus became King Henry IV, the first of the three kings of the House of Lancaster. Read on... Known to the Elizabethans equally ague, Malaria was a common malady spread by the mosquitoes in the marshy Thames. The swampy theatre commune of Southwark was always at risk. King James I had it; so too did Shakespeare'due south friend, Michael Drayton. Read on... Shakespeare was familiar with seven foreign languages and frequently quoted them direct in his plays. His vocabulary was the largest of whatsoever writer, at over twenty-four chiliad words. 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Source: http://www.shakespeare-online.com/plays/romeo_2_2.html
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